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7. My True Love
一心会 is the Japanese martial arts title “Isshinkai” or “Isshin-Kai.”
It literally means “One Heart Association” or “Single-Heart Club.” This title is often associated with Isshin-Ryu Aikido and Isshin-Ryu Karate-Do. This title is appropriate for the name of a dojo that teaches these styles.
一心流空手道 is the full title for Isshin-Ryu Karate-Do.
The literal meaning is “one heart method empty hand way.”
There are other ways to translate this, but if you are looking for this title, you already know that.
This would make a great wall scroll for your dojo or private studio if you study this form of Japanese (technically from Okinawa) Karate.
Because this is a specifically-Japanese title, I strongly recommend that you select our Japanese Master Calligrapher to create this artwork.
fudoshin
不動心 is one of the five spirits of the warrior (budo) and is often used as a Japanese martial arts tenet.
Under that context, places such as the Budo Dojo define it this way: An unshakable mind and an immovable spirit is the state of fudoshin. It is courage and stability displayed both mentally and physically. Rather than indicating rigidity and inflexibility, fudoshin describes a condition that is not easily upset by internal thoughts or external forces. It is capable of receiving a strong attack while retaining composure and balance. It receives and yields lightly, grounds to the earth, and reflects aggression back to the source.
Other translations of this title include imperturbability, steadfastness, keeping a cool head in an emergency, or keeping one's calm (during a fight).
The first two Kanji alone mean immobility, firmness, fixed, steadfastness, motionless, and idle.
The last Kanji means heart, mind, soul, or essence.
Together, these three Kanji create a title defined as “immovable mind” within the context of Japanese martial arts. However, in Chinese, it would mean “motionless heart,” and in Korean Hanja, “wafting heart” or “floating heart.”
Zanshin
First off, 殘心 should only be used in the context of Japanese martial arts. In Chinese, it's a rather sad title (like a broken heart). In Chinese, the first character alone means destroyed, spoiled, ruined, injured, cruel, oppressive, savage, incomplete, or disabled. However, in Japanese, it's remainder, leftover, balance, or lingering.
The second character means heart, mind, soul, or essence in both languages.
殘心 is one of the five spirits of the warrior (budo) and is often used as a Japanese martial arts tenet. Under that context, places such as the Budo Dojo define it this way: The spirit of zanshin is the state of the remaining or lingering spirit. It is often described as a sustained and heightened state of awareness and mental follow-through. However, true zanshin is a state of focus or concentration before, during, and after the execution of a technique, where a link or connection between uke and nage is preserved. Zanshin is the state of mind that allows us to stay spiritually connected, not only to a single attacker but to multiple attackers and even an entire context; a space, a time, an event.
In modern Japan (and Simplified Chinese), they use a different version of the first character, as seen to the right. Click on this character to the right instead of the button above if you want this modern Japanese version of lingering mind / zanshin.
Shoshin
初心 is often translated in Japanese as “beginner's mind” or “beginner's spirit.”
In Chinese, the dictionary definition is “one's original intention.”
The first character means first, initial, primary, junior, beginning, or basic.
The second character means heart, mind, soul, or essence.
初心 is one of the five spirits of the warrior (budo) and is often used as a Japanese martial arts tenet. Under that context, places such as the Budo Dojo define it this way: The state of shoshin is that of a beginners mind. It is a state of awareness that always remains fully conscious, aware, and prepared to see things for the first time. The attitude of shoshin is essential to continued learning.
In Japanese, 無心 means innocent or without knowledge of good and evil. It literally means “without mind.”
無心 is one of the five spirits of the warrior (budo) and is often used as a Japanese martial arts tenet. Under that context, places such as the Budo Dojo define it this way: “No mind, a mind without ego. A mind like a mirror which reflects and dos not judge.” The original term was “mushin no shin,” meaning “mind of no mind.” It is a state of mind without fear, anger, or anxiety. Mushin is often described by the phrase “Mizu no Kokoro,” which means “mind like water.” The phrase is a metaphor describing the pond that clearly reflects its surroundings when calm but whose images are obscured once a pebble is dropped into its waters.
This has a good meaning in conjunction with Chan / Zen Buddhism in Japan. However, out of that context, it means mindlessness or absent-mindedness. To non-Buddhists in China, this is associated with doing something without thinking.
In Korean, this usually means indifference.
Use caution and know your audience before ordering this selection.
More info: Wikipedia: Mushin
我心真愛 is a slightly poetic way to express this sentiment to someone.
The meaning is “My True Love,” but the characters directly translate as “I/Me/My Heart/Mind True/Real Love.”
Note that Chinese grammar and construction are different, so this sounds very eloquent and artsy in Chinese.
In Korean Hanja, the third character should be written differently. Just let me know when you place your order if you want that version - it will still make sense in Chinese. This phrase makes sense in Korean but is not commonly used.
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Below are some entries from our dictionary that may match your one heart way search...
Characters If shown, 2nd row is Simp. Chinese |
Pronunciation Romanization |
Simple Dictionary Definition |
心態 心态 see styles |
xīn tài xin1 tai4 hsin t`ai hsin tai |
attitude (of the heart); state of one's psyche; way of thinking; mentality |
胎藏界 see styles |
tāi zàng jiè tai1 zang4 jie4 t`ai tsang chieh tai tsang chieh taizō kai |
Garbhadhātu, or Garbhakośa-(dhātu), the womb treasury, the universal source from which all things are produced; the matrix; the embryo; likened to a womb in which all of a child is conceived— its body, mind, etc. It is container and content; it covers and nourishes; and is the source of all supply. It represents the 理性 fundamental nature, both material elements and pure bodhi, or wisdom in essence or purity; 理 being the garbhadhātu as fundamental wisdom, and 智 acquired wisdom or knowledge, the vajradhātu. It also represents the human heart in its innocence or pristine purity, which is considered as the source of all Buddha-pity and moral knowledge. And it indicates that from the central being in the maṇḍala, viz. the Sun as symbol of Vairocana, there issue all the other manifestations of wisdom and power, Buddhas, bodhisattvas, demons, etc. It is 本覺 original intellect, or the static intellectuality, in contrast with 始覺 intellection, the initial or dynamic intellectuality represented in the vajradhātu; hence it is the 因 cause and vajradhātu the 果 effect; though as both are a unity, the reverse may be the rule, the effect being also the cause; it is also likened to 利他 enriching others, as vajradhātu is to 自利 enriching self. Kōbō Daishi, founder of the Yoga or Shingon 眞言 School in Japan, adopted the representation of the ideas in maṇḍalas, or diagrams, as the best way of revealing the mystic doctrine to the ignorant. The garbhadhātu is the womb or treasury of all things, the universe; the 理 fundamental principle, the source; its symbols are a triangle on its base, and an open lotus as representing the sun and Vairocana. In Japan this maṇḍala is placed on the east, typifying the rising sun as source, or 理. The vajradhātu is placed west and represents 智 wisdom or knowledge as derived from 理 the underlying principle, but the two are essential one to the other, neither existing apart. The material and spiritual; wisdom-source and intelligence; essence and substance; and similar complementary ideas are thus portrayed; the garbhadhātu may be generally considered as the static and the vajradhātu as the dynamic categories, which are nevertheless a unity. The garbhadhātu is divided into 三部 three sections representing samādhi or quiescence, wisdom-store, and pity-store, or thought, knowledge, pity; one is called the Buddha-section, the others the Vajra and Lotus sections respectively; the three also typify vimokṣa, prajñā, and dharmakāya, or freedom, understanding, and spirituality. There are three heads of these sections, i. e. Vairocana, Vajrapāṇi, and Avalokiteśvara; each has a mother or source, e. g. Vairocana from Buddha's-eye; and each has a 明王 or emanation of protection against evil; also a śakti or female energy; a germ-letter, etc. The diagram of five Buddhas contains also four bodhisattvas, making nine in all, and there are altogether thirteen 大院 or great courts of various types of ideas, of varying numbers, generally spoken of as 414. Cf. 金剛界; 大日; 兩部. |
Variations: |
kirikomu きりこむ |
(v5m,vi) (1) to cut deep into; (v5m,vi) (2) to cut one's way into (an enemy position); to rush on; to raid; to attack; (v5m,vi) (3) to press someone hard (e.g. with questions); to get to the heart of (a matter) |
Variations: |
ochiru おちる |
(v1,vi) (1) to fall; to drop; to come down; to crash; to collapse; to cave in; to give way; (v1,vi) (2) to set (of the sun or moon); to sink; to dip; to go down; (v1,vi) (3) to decrease (of popularity, quality, speed, sales, etc.); to fall; to drop; to go down; to decline; to deteriorate; to abate (of wind); (v1,vi) (4) to be inferior (to); to be not as good (as); to fall short (of); (v1,vi) (5) to come off (of dirt, paint, makeup, etc.); to come out (of a stain); to fade (of colour); to be removed (of an illness, possessing spirit, etc.); (v1,vi) (6) to disappear (of excess fat); to become thinner; to become leaner; (v1,vi) (7) to be left out; to be omitted; to be missing; (v1,vi) (8) to fail (an exam); to lose (a contest, election, etc.); to be unsuccessful; (v1,vi) (9) (also written as 堕ちる) to decline (of morals, character, etc.); to become vulgar (e.g. of a conversation); to stoop (to); to sink (so low); (v1,vi) (10) (also written as 堕ちる) to be ruined; to go under; to fall (into hell); (v1,vi) (11) (See 恋に落ちる,眠りに落ちる) to fall (in love, asleep, etc.); (v1,vi) (12) to fall (into someone's hands); to be accepted (of a bid); to be won (of a tender); to be honoured (of a bill); (v1,vi) (13) to fall into (a trap); to fall for (a trick); (v1,vi) (14) to give in; (v1,vi) (15) to confess; to own up; (v1,vi) (16) to come to (a conclusion, topic, etc.); to arrive at (in the end); (v1,vi) (17) to leave (a city, castle, etc.); to (be defeated and) flee; (v1,vi) (18) (See 腑に落ちない,胸に落ちる) to sink in; to be accepted (in one's heart); (v1,vi) (19) to fall (to the enemy); to be defeated; (v1,vi) (20) to come in (of money); (v1,vi) (21) to fall (upon; of light, a shadow, one's gaze, etc.); (v1,vi) (22) to pass out (in judo); to fall unconscious; (v1,vi) (23) {comp} to go down (of a website, server, etc.); to crash; (v1,vi) (24) (slang) to log out (of an online game, chat room, etc.); to drop out; to leave; to go offline; (v1,vi) (25) to move to deeper water (of a fish in cold weather); (v1,vi) (26) to die (of an animal) |
Variations: |
kirikomu きりこむ |
(v5m,vi) (1) to cut deep into; (v5m,vi) (2) to cut one's way into (an enemy position); to rush on; to raid; to attack; (v5m,vi) (3) to press someone hard (e.g. with questions); to get to the heart of (a matter) |
The following table may be helpful for those studying Chinese or Japanese...
Title | Characters | Romaji (Romanized Japanese) | Various forms of Romanized Chinese | |
Isshin-Kai Isshinkai | 一心会 / 一心會 一心会 | isshin kai / isshinkai / ishin kai | ||
Isshin Ryu Karate Do | 一心流空手道 | i sshin ryuu kara te dou isshinryuukaratedou i shin ryu kara te do | ||
Immovable Mind | 不動心 | fu dou shin fudoushin fu do shin | ||
Lingering Mind | 殘心 残心 | zan shin / zanshin | cán xīn / can2 xin1 / can xin / canxin | ts`an hsin / tsanhsin / tsan hsin |
Mind of the Beginner | 初心 | sho shin / shoshin | chū xīn / chu1 xin1 / chu xin / chuxin | ch`u hsin / chuhsin / chu hsin |
No Mind Mushin | 無心 无心 | mu shin / mushin | wú xīn / wu2 xin1 / wu xin / wuxin | wu hsin / wuhsin |
My True Love | 我心真愛 我心真爱 | wǒ xīn zhēn ài wo3 xin1 zhen1 ai4 wo xin zhen ai woxinzhenai | wo hsin chen ai wohsinchenai |
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In some entries above you will see that characters have different versions above and below a line. In these cases, the characters above the line are Traditional Chinese, while the ones below are Simplified Chinese. |
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All of our calligraphy wall scrolls are handmade.
When the calligrapher finishes creating your artwork, it is taken to my art mounting workshop in Beijing where a wall scroll is made by hand from a combination of silk, rice paper, and wood.
After we create your wall scroll, it takes at least two weeks for air mail delivery from Beijing to you.
Allow a few weeks for delivery. Rush service speeds it up by a week or two for $10!
When you select your calligraphy, you'll be taken to another page where you can choose various custom options.
The wall scroll that Sandy is holding in this picture is a "large size"
single-character wall scroll.
We also offer custom wall scrolls in small, medium, and an even-larger jumbo size.
Professional calligraphers are getting to be hard to find these days.
Instead of drawing characters by hand, the new generation in China merely type roman letters into their computer keyboards and pick the character that they want from a list that pops up.
There is some fear that true Chinese calligraphy may become a lost art in the coming years. Many art institutes in China are now promoting calligraphy programs in hopes of keeping this unique form
of art alive.
Even with the teachings of a top-ranked calligrapher in China, my calligraphy will never be good enough to sell. I will leave that to the experts.
The same calligrapher who gave me those lessons also attracted a crowd of thousands and a TV crew as he created characters over 6-feet high. He happens to be ranked as one of the top 100 calligraphers in all of China. He is also one of very few that would actually attempt such a feat.
Check out my lists of Japanese Kanji Calligraphy Wall Scrolls and Old Korean Hanja Calligraphy Wall Scrolls.
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