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Characters If shown, 2nd row is Simp. Chinese |
Pronunciation Romanization |
Simple Dictionary Definition |
ヒーター see styles |
biitaa / bita ビーター |
(1) {food} beater (for eggs, etc.); (2) {music} beater (of a bass drum, triangle, etc.); mallet; (male given name) Peter; Petre |
底 see styles |
dǐ di3 ti tei / te てい |
background; bottom; base; end (of the month, year etc); remnants; (math.) radix; base (1) {math} base (logarithmic, exponential, number system); radix; (2) {geom} base (triangle, cone, cylinder, etc.); (3) type; kind; extent; degree; (surname) Soko Bottom, basis; translit. t, d, dh. |
一辺 see styles |
ippen いっぺん |
side of a geometric shape (e.g. triangle or rectangle) |
三角 see styles |
sān jiǎo san1 jiao3 san chiao sankaku さんかく |
triangle triangle; triangular shape; (place-name) Myōka |
基線 基线 see styles |
jī xiàn ji1 xian4 chi hsien kisen きせん |
baseline (surveying, budgeting, typography etc); (math.) base (of a triangle) base line; (place-name) Kisen |
底辺 see styles |
teihen / tehen ていへん |
(noun - becomes adjective with の) (1) (mathematics term) base (e.g. of a triangle); (2) low class; low in social standing; low level; of poor reputation; (3) base (e.g. of support); foundation; basis |
底邊 底边 see styles |
dǐ biān di3 bian1 ti pien |
base (of a triangle); base line; hem line (of skirt) |
斜邊 斜边 see styles |
xié biān xie2 bian1 hsieh pien |
sloping side; hypotenuse (of a right-angled triangle) |
火印 see styles |
huǒ yìn huo3 yin4 huo yin ka in |
branded mark; brand The fire sign, for which a triangle pointing upwards is used; a triangular arrangement of fingers of the right hand with the left. |
相待 see styles |
xiāng dài xiang1 dai4 hsiang tai soudai / sodai そうだい |
to treat {Buddh} (See 絶待) existing in opposition or interdependence The doctrine of mutual dependence or relativity of all things for their existence, e. g. the triangle depends on its three lines, the eye on things having colour and form, long on short. |
閻浮 阎浮 see styles |
yán fú yan2 fu2 yen fu enbu |
瞻部 Jambu (at present the rose-apple, the Eugenia Jambolana), described as a lofty tree giving its name to 閻浮提 Jambudvīpa, 'one of the seven continents or rather large islands surrounding the mountain Meru; it is so named either from the Jambu trees abounding in it, or from an enormous Jambu tree on Mount Meru visible like a standard to the whole continent'; 'the central division of the world.' M.W. With Buddhists it is the southern of the four continents, shaped like a triangle resembling the triangular leaves of the Jambu tree, and called after a forest of such trees on Meru. |
鼎坐 see styles |
teiza / teza ていざ |
(noun/participle) three people sitting in a triangle |
鼎座 see styles |
teiza / teza ていざ |
(noun/participle) three people sitting in a triangle |
三つ鼎 see styles |
mitsuganae みつがなえ |
(noun/participle) (See 鼎座) three people sitting in a triangle |
三角座 see styles |
sān jiǎo zuò san1 jiao3 zuo4 san chiao tso sankakuza さんかくざ |
Triangulum (constellation) {astron} Triangulum (constellation); the Triangle |
三角形 see styles |
sān jiǎo xíng san1 jiao3 xing2 san chiao hsing sankakkei / sankakke さんかっけい sankakukei / sankakuke さんかくけい |
triangle (noun - becomes adjective with の) triangle |
三角板 see styles |
sān jiǎo bǎn san1 jiao3 ban3 san chiao pan |
set square; triangle (for drawing right angles) |
三角波 see styles |
sankakunami; sankakuha さんかくなみ; さんかくは |
(1) choppy sea; chopping waves; (2) (さんかくは only) {physics} triangle wave |
三角鐵 三角铁 see styles |
sān jiǎo tiě san1 jiao3 tie3 san chiao t`ieh san chiao tieh |
triangle (musical instrument); angle iron |
三邊形 三边形 see styles |
sān biān xíng san1 bian1 xing2 san pien hsing |
triangle |
勾股弦 see styles |
koukogen / kokogen こうこげん |
(obscure) three sides of right triangle (minor cathetus, major cathetus & hypotenuse) |
火輪印 火轮印 see styles |
huǒ lún yìn huo3 lun2 yin4 huo lun yin karin in |
A sign made by putting the doubled fists together and opening the index fingers to form the fire-sign, a triangle. |
胎藏界 see styles |
tāi zàng jiè tai1 zang4 jie4 t`ai tsang chieh tai tsang chieh taizō kai |
Garbhadhātu, or Garbhakośa-(dhātu), the womb treasury, the universal source from which all things are produced; the matrix; the embryo; likened to a womb in which all of a child is conceived— its body, mind, etc. It is container and content; it covers and nourishes; and is the source of all supply. It represents the 理性 fundamental nature, both material elements and pure bodhi, or wisdom in essence or purity; 理 being the garbhadhātu as fundamental wisdom, and 智 acquired wisdom or knowledge, the vajradhātu. It also represents the human heart in its innocence or pristine purity, which is considered as the source of all Buddha-pity and moral knowledge. And it indicates that from the central being in the maṇḍala, viz. the Sun as symbol of Vairocana, there issue all the other manifestations of wisdom and power, Buddhas, bodhisattvas, demons, etc. It is 本覺 original intellect, or the static intellectuality, in contrast with 始覺 intellection, the initial or dynamic intellectuality represented in the vajradhātu; hence it is the 因 cause and vajradhātu the 果 effect; though as both are a unity, the reverse may be the rule, the effect being also the cause; it is also likened to 利他 enriching others, as vajradhātu is to 自利 enriching self. Kōbō Daishi, founder of the Yoga or Shingon 眞言 School in Japan, adopted the representation of the ideas in maṇḍalas, or diagrams, as the best way of revealing the mystic doctrine to the ignorant. The garbhadhātu is the womb or treasury of all things, the universe; the 理 fundamental principle, the source; its symbols are a triangle on its base, and an open lotus as representing the sun and Vairocana. In Japan this maṇḍala is placed on the east, typifying the rising sun as source, or 理. The vajradhātu is placed west and represents 智 wisdom or knowledge as derived from 理 the underlying principle, but the two are essential one to the other, neither existing apart. The material and spiritual; wisdom-source and intelligence; essence and substance; and similar complementary ideas are thus portrayed; the garbhadhātu may be generally considered as the static and the vajradhātu as the dynamic categories, which are nevertheless a unity. The garbhadhātu is divided into 三部 three sections representing samādhi or quiescence, wisdom-store, and pity-store, or thought, knowledge, pity; one is called the Buddha-section, the others the Vajra and Lotus sections respectively; the three also typify vimokṣa, prajñā, and dharmakāya, or freedom, understanding, and spirituality. There are three heads of these sections, i. e. Vairocana, Vajrapāṇi, and Avalokiteśvara; each has a mother or source, e. g. Vairocana from Buddha's-eye; and each has a 明王 or emanation of protection against evil; also a śakti or female energy; a germ-letter, etc. The diagram of five Buddhas contains also four bodhisattvas, making nine in all, and there are altogether thirteen 大院 or great courts of various types of ideas, of varying numbers, generally spoken of as 414. Cf. 金剛界; 大日; 兩部. |
金三角 see styles |
jīn sān jiǎo jin1 san1 jiao3 chin san chiao |
Golden Triangle (Southeast Asia) |
金剛界 金刚界 see styles |
jīn gāng jiè jin1 gang1 jie4 chin kang chieh kongoukai / kongokai こんごうかい |
(1) {Buddh} (See 胎蔵界・たいぞうかい・1) Vajradhatu; Diamond Realm; (2) (abbreviation) {Buddh} (See 金剛界曼荼羅・こんごうかいまんだら) Vajradathu Mandala; Diamond Realm Mandala vajradhātu, 金界 The 'diamond', or vajra, element of the universe; it is the 智 wisdom of Vairocana in its indestructibility and activity; it arises from the garbhadhātu 胎藏界q.v., the womb or store of the Vairocana 理 reason or principles of such wisdom, v. 理智. The two, garbhadhātu and vajradhātu, are shown by the esoteric school, especially in the Japanese Shingon, in two maṇḍalas, i.e. groups or circles, representing in various portrayals the ideas arising from the two, fundamental concepts. vajradhātu is intp. as the 智 realm of intellection, and garbhadhātu as the 理 substance underlying it, or the matrix; the latter is the womb or fundamental reason of all things, and occupies the eastern position as 'cause' of the vajradhātu, which is on the west as the resultant intellectual or spiritual expression. But both are one as are Reason and Wisdom, and Vairocana (the illuminator, the 大日 great sun) presides over both, as source and supply. The vajradhātu represents the spiritual world of complete enlightenment, the esoteric dharmakāya doctrine as contrasted with the exoteric nirmāṇakāya doctrine. It is the sixth element 識 mind, and is symbolized by a triangle with the point downwards and by the full moon, which represents 智 wisdom or understanding; it corresponds to 果 fruit, or effect, garbhadhātu being 因 or cause. The 金剛王五部 or five divisions of the vajradhātu are represented by the Five dhyāni-buddhas, thus: centre 大日Vairocana; east 阿閦 Akṣobhya; south 寶生Ratnasambhava; west 阿彌陀 Amitābha; north 不 空 成就 Amoghasiddhi, or Śākyamuni. They are seated respectively on a lion, an elephant, a horse, a peacock, and a garuda. v. 五佛; also 胎. |
鈎股弦 see styles |
koukogen / kokogen こうこげん |
(obscure) three sides of right triangle (minor cathetus, major cathetus & hypotenuse) |
三角戀愛 三角恋爱 see styles |
sān jiǎo liàn ài san1 jiao3 lian4 ai4 san chiao lien ai |
love triangle |
三角関係 see styles |
sankakukankei / sankakukanke さんかくかんけい |
love triangle; eternal triangle |
三角關係 三角关系 see styles |
sān jiǎo guān xì san1 jiao3 guan1 xi4 san chiao kuan hsi |
triangular relationship; (esp.) a love triangle |
三角頭巾 see styles |
sankakuzukin さんかくずきん |
triangle headband; triangular scarf |
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When the calligrapher finishes creating your artwork, it is taken to my art mounting workshop in Beijing where a wall scroll is made by hand from a combination of silk, rice paper, and wood.
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The wall scroll that Sandy is holding in this picture is a "large size"
single-character wall scroll.
We also offer custom wall scrolls in small, medium, and an even-larger jumbo size.
Professional calligraphers are getting to be hard to find these days.
Instead of drawing characters by hand, the new generation in China merely type roman letters into their computer keyboards and pick the character that they want from a list that pops up.
There is some fear that true Chinese calligraphy may become a lost art in the coming years. Many art institutes in China are now promoting calligraphy programs in hopes of keeping this unique form
of art alive.
Even with the teachings of a top-ranked calligrapher in China, my calligraphy will never be good enough to sell. I will leave that to the experts.
The same calligrapher who gave me those lessons also attracted a crowd of thousands and a TV crew as he created characters over 6-feet high. He happens to be ranked as one of the top 100 calligraphers in all of China. He is also one of very few that would actually attempt such a feat.
Check out my lists of Japanese Kanji Calligraphy Wall Scrolls and Old Korean Hanja Calligraphy Wall Scrolls.
Some people may refer to this entry as Triangle Kanji, Triangle Characters, Triangle in Mandarin Chinese, Triangle Characters, Triangle in Chinese Writing, Triangle in Japanese Writing, Triangle in Asian Writing, Triangle Ideograms, Chinese Triangle symbols, Triangle Hieroglyphics, Triangle Glyphs, Triangle in Chinese Letters, Triangle Hanzi, Triangle in Japanese Kanji, Triangle Pictograms, Triangle in the Chinese Written-Language, or Triangle in the Japanese Written-Language.